
Saturday, September 13, 2025
Henry Hudson Riverfront Park
5:30 PM - 6:00 PM — Community Drum Circle
6:00 PM - 8:00 PM — Hudson Festival Orchestra
under the big tent!
2025 HUDSON IN CONCERT:
A COMMUNITY CELEBRATION
THE PROGRAM
COMMUNITY DRUM CIRCLE
(5:30 PM - 6 PM)
Community Drum Circle led by Kuumba Dance & Drum Academy/Operation Unite. Zorkie Nelson will lead the drumming, and dancers will include Elena Mosely, founder/director, Debbie Waithe, Addison Geer, and Tisi Bishop.
HUDSON FESTIVAL ORCHESTRA
(6 PM - 8 PM)
FIRST HALF
“Liberty Fanfare” by John Williams conducted by Gwen Gould. “Liberty Fanfare” was commissioned by the Statue of Liberty–Ellis Island Foundation to celebrate the Centennial of the Statue of Liberty on July 4, 1986. Before the premiere of the piece, Williams commented that he had "tried to create a group of American airs and tunes that will give some sense of the event and the occasion." Reviewing the Boston performance, Anthony Tommasini wrote that “as fanfares go, it is a humdinger!”
“La Boda de Luis Alonso”: IV. Intermedio by Geronimo Gimenez (with dancers to be confirmed), conducted by Gwen Gould. La Boda de Luis Alonso (The Wedding of Luis Alonso), written in 1897, is a zarzuela, a Spanish lyric-dramatic genre incorporating operatic and popular song, as well as dance. Gimenez was a Spanish composer and conductor who spent most of his career writing zarzuelas. At the age of 12, he was a first violin at the Teatro Principal and soon began conducting performances in his hometown of Seville, Spain. He won a First Prize in Harmony and Counterpoint at the Paris Conservatoire at the age of 17, beating out fellow classmate Claude Debussy. The Intermedio of this zarzuela became one of the most popular zarzuela excerpts of all time.
“Copenhagen Steam Railway Galop” by Hans Christian Lumbye conducted by Noah Palmer. Beginning with the 'pop' of a champagne cork, the “Copenhagen Steam Railway Galop” recreates the sounds of a train chugging out of a station and grinding to a halt at the next stop. This was composed in 1847 to celebrate the opening of the first railway in Denmark between Copenhagen and Roskilde. We perform it to celebrate our Hudson Amtrak station!
Ukrainian Songs sung by Vira Slywotzky, contralto, arranged and conducted by Dávid Bánóczi-Ruof.
"Va, l'error mio palesa" from Mitridate, K. 87
by Wolfgang Amadeus Mozart
"In Haven (Capri)" from Sea Pictures, Op. 37
by Edward Elgar
"Ya ne molyus dawno" Op.10 No.3
by Pavlo Senystia
"Ви музики грайтє" from Five Ukrainian Folksongs
by Yuli Meitus“Blue Tango” by Leroy Anderson, conducted by Gwen Gould. “Blue Tango,” written in 1950, is a novelty among Anderson's novelties: a simple, lovely tune with no gimmick. It uses the traditional Argentine tango rhythm but without the melodramatic flash of authentic tangos. Anderson's own recording with a studio orchestra for Decca was a #1 hit in 1951. An instrumental version of "Blue Tango" recorded by Anderson with the flip side "Belle of the Ball" reached number one on the Billboard chart in 1952.
Bhānaka Kula, an ensemble created by Phillip Roebuck featuring singers Danny Halper, Holly Troy, Kevin Dann, Nicole Tranchita, Ryan Tiano, Simone Stevens, Vicky Finney, and Zeke Healy.
Performing: Interfaith Prayer Round
A Polyrhythm Mantra Choir, exploring and celebrating the dazzling prosody (rhythmics & metrics) of ancient poetic texts, Bhānaka Kula is an American world-music choir-band of “scripture singers.” Using a unique “verse-stacking” technique, the layering of texts in Sanskrit and other languages creates an immersive and exciting scripture-as-performance experience.
Contralto Vira Slywotzky
Polyrhythm Mantra Choir: Bhānka Kula
INTERMISSION
SECOND HALF
Trioda Band-3 Ukrainian Songs
“Oh, whose horse is that?” (Folk song)
“A girl stands above the rushing water” (Folk song)
“Mama, please pray for Ukraine” (Trioda song)Ukrainian folk music includes a variety of traditional, folkloric, folk-inspired popular music, and folk-inspired European classical music traditions. These traditions of the Ukrainian people are passed down from generation to generation.
The Trioda Band was created IN 2013 by three tenors, Andrii Gambal, Volodymyr Rybak, and Pavlo Chervinskyi in the city of Ternopil in Western Ukraine. They incorporate modern harmony and a combination of different styles of performance such as pop, classical, and folk. The main goal of the group is to promote Ukrainian culture and art.
Concerto for Clarinet and Orchestra by Kinan Azmeh, Kinan Azmeh, clarinet, conducted by Dávid Bánóczi-Ruo. Clarinet virtuoso and composer Kinan Azmeh made his UK debut with the London Philharmonic Orchestra in January 2023, performing his own Clarinet Concerto at the Royal Festival Hall with conductor Enrique Mazzola. The piece draws on Arabic dance rhythms like Katakufti and Nawari, blending Syrian and Western styles into a semi-improvised, emotionally charged work.
The Hudson Community Choir. Do you love to sing? Led by local Hudson conductor Michael Hofmann, the Hudson Community Choir meets weekly to rehearse and perform exciting vocal repertoire. Free and open to singers of all ages and abilities. In collaboration with Beautiful Racket and Hudson Hall.
“Somewhere Over the Rainbow” by Harold Arlen, arr. Mark Hayes sung by The Hudson Community Choir, Michael Hofmann, conductor. This magnificent arrangement sets a new standard for high school and community choirs wishing to perform the timeless ballad from "The Wizard of Oz." It includes the opening verse, "When all the world is a hopeless jumble and the raindrops tumble all around, heaven opens a magic lane...." Every aspect of Mark Hayes' arrangement does justice to the wonderful lyricism and inspiring imagery of the words and music.
“Hoedown” from “Rodeo” by Aaron Copland, conducted by Gwen Gould. This lively ballet depicts the American West with energy and humor. Its famous 'Hoedown' movement, based on folk fiddle tunes, is instantly recognizable and has been widely used in film, television, and even advertising. The piece captures the playful, spirited nature of cowboy life.
Composer and Clarinetist Kinan Azmeh
Take a Seat…in the Orchestra